(via sadsongz)
lautréamont; maldoror.
rimbaud; une saison en enfer.
corbière; les amours jaunes
(via sadsongz)
by Shinmei Kato (1910-1988)
(via artessenziale)
herzogtum-sachsen-weissenfels:
Jan Davidsz. de Heem (Dutch, 1606-1684), Stilleven met bloemen in een glazen vaas [Still Life with Flowers in a Glass Vase], before 1684. Oil on copper, 54.5 x 36.5 x 7.8 cm.
(Source: jagkanbliintetal, via yywk2)
Hieronymus Bosch, Hell. This is the whole vertical panel (one of four of Paradise and Hell), of one of Bosch’s exceptional luminous scenes. Fire may have had a special intensity for Bosch due to a catastrophic fire in his town of ‘s-Hertogenbosch that set thousands of homes ablaze, which Bosch likely witnessed at the young age of thirteen. One can compare the fire-lit darkness in this panel to the burning city in the right panel of Bosch’s Garden of Earthly Delights. Here he achieved this using a wet-on-wet technique to paint the light over a layer of black, illuminating the tortured souls below.
(via renaissance-art)
Parmigianino c. 1533
Madonna San Zaccaria (detail)
(via renaissance-art)
Thomas Ruckstuhl (German, b. 1969, Mannheim, Germany) - Day In Day Out Paintings: Oil
(Source: thomasruckstuhl.com, via yywk2)
(via sadsongz)
(Source: magic-spelldust, via yywk2)
“Phänomen” vase, 1900. Manufacturer: Lötz Witwe, Lobmeyr, Vienna. Via Quittenbaum
(Source: design-is-fine, via design-is-fine)
Sunset on the Seine in Lavacourt (detail)
(via @lonequixote)
(via artessenziale)